I make portrait-oriented paintings ranging from small works on paper to canvases around one metre tall. Using watercolour, ink, acrylic and oil, I layer translucent washes, drips and drawn lines with denser passages of saturated colour. The resulting biomorphic forms suggest both landscapes and bodily structures.

I am interested in how emotional and sensual experiences change how we inhabit our bodies and move through the world, even when we cannot fully understand or explain them. Landscape lets me imagine these experiences as forces reshaping a living inner world, and the portrait format presents this landscape as a subject with agency rather than as passive scenery.

This approach also challenges landscape painting’s historical entanglement with colonialism, which has often cast the earth as territory to be controlled and exploited. By presenting the body and earth as interconnected living systems, I approach the tradition from an ecofeminist point of view.